On ‘Ambient 4 (On Land)’ – the final edition in Eno's ambient series – his palate shifted from electro-mechanical and acoustic instruments towards “non-instruments” like pieces of chain, sticks and stones.
“One of the big freedoms of music had been that it didn't have to relate to anything – nobody listened to a piece of music and said, ‘What's that supposed to be, then?’, the way they would if they were looking at an abstract painting; music was accepted as abstract. I wanted to try and make music which attempted to be figurative, for example by using lots of real noises”, he recalled to Mojo.
In a pioneering early incarnation of what later became widely-known as remixing, Eno explained, “I included not only recordings of rooks, frogs and insects, but also the complete body of my own earlier work making ‘On Land’, which involved feeding unheard tape into the mix, constant feeding and remixing, subtracting and composting.”
Conventional instruments do occasionally feature, however, including Jon Hassell's trumpet and Bill Laswell’s bass. The album also features contributions from Michael Brook and Daniel Lanois
Brian's ambient album from 1982 has been Half Speed mastered by Miles Showell at Abbey Road studios and is now presented as a 2LP set which plays at 45 RPM and is presented in a gatefold sleeve. Contains an Abbey Road Obi plus an Abbey Road Half Speed Master certificate. The album features contributions from Michael Brook, John Hassell, Daniel Lanois and Bill Laswell.
A1. Lizard Point
A2. The Lost Day
B1. Tal Coat
C1. Lantern Marsh
C2. Unfamiliar Wind
D1. A Clearing
D2. Dunwich Beach, Autumn 1960