{"title":"Under $100","description":"","products":[{"product_id":"the-beatles-white-album-deluxe-edition","title":"White Album 3CD Deluxe Edition","description":"\u003cspan\u003eExpanded 3CD package features the new stereo album mix on 2CDs and adds a third CD of the ‘Esher Demos’ \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around”. George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake, we must surely be learning.” For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn. On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd.\/Capitol\/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. The new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe minimalist artwork for ‘The White Album’ was created by artist Richard Hamilton, one of Britain’s leading figures in the creation and rise of pop art. The top-loading gatefold sleeve’s stark white exterior had ‘The BEATLES’ embossed on the front and printed on the spine with the album’s catalogue number. Early copies of ‘The White Album’ were also individually numbered on the front, which has also been done for the new edition’s Super Deluxe package. The set’s six CDs and Blu-ray disc are housed in a slipsleeved 164-page hardbound book, with pull-out reproductions of the original album’s four glossy color portrait photographs of John, Paul, George, and Ringo, as well as the album’s large fold-out poster with a photo collage on one side and lyrics on the other. The beautiful book is illustrated with rare photographs, reproductions of handwritten and notated lyrics, previously unpublished photos of recording sheets and tape boxes, and reproduced original ‘White Album’ print ads. The book’s comprehensive written pieces include new introductions by Paul McCartney and Giles Martin, and in-depth chapters covering track-by-track details and session notes reflecting The Beatles’ year between the release of ‘Sgt. Pepper’ and recording sessions for ‘The White Album,’ the band’s July 28 1968 “Mad Day Out” photo shoot in locations around London, the album artwork, the lead-up and execution of the album’s blockbuster release, and its far-ranging influence, written by Beatles historian, author and radio producer Kevin Howlett; journalist and author John Harris; and Tate Britain’s Senior Curator of Modern and Contemporary Art Andrew Wilson. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Deluxe 3CD is presented in an embossed digipak with the fold-out poster and portrait photos, plus a 24-page booklet abridged from the Super Deluxe book. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMuch of the initial songwriting for ‘The White Album’ was done in Rishikesh, India between February and April 1968, when John Lennon, Paul McCartney, George Harrison, and Ringo Starr joined a course at the Maharishi’s Academy of Transcendental Meditation. In a postcard to Ringo, who had returned to England before the others, John wrote, “we’ve got about two L.P.s worth of songs now so get your drums out.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDuring the last week of May, The Beatles gathered at George’s house in Esher, Surrey, where they recorded acoustic demos for 27 songs. Known as the Esher Demos, all 27 recordings are included in the new edition’s Deluxe and Super Deluxe packages, sourced from the original four-track tapes. Twenty-one of the demoed songs were recorded during the subsequent studio sessions, and 19 were ultimately finished and included on ‘The White Album.’\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Beatles’ studio sessions for The BEATLES (‘White Album’) began on May 30, 1968, at Abbey Road Studios. In the 20 weeks that followed, The Beatles devoted most of their time to sessions there for the new album, with some recording also done at Trident Studios. The final session for the album took place at Abbey Road on October 16, a 24-hour marathon with producer George Martin to sequence the double album’s four sides and to complete edits and cross-fades between its songs. The Beatles’ approach to recording for ‘The White Album’ was quite different from what they had done for ‘Sgt. Pepper.’ Rather than layering individually overdubbed parts on a multi-track tape, many of the ‘White Album’ session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. The Beatles often recorded take after take for a song, as evidenced by the Super Deluxe set’s Take 102 for “Not Guilty,” a song that was not included on the album. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Beatles’ newly adopted method of recording all through the night was time-consuming and exhausting for their producer, George Martin. Martin had other duties, including his management of AIR (Associated Independent Recording), and he had also composed the orchestral score for The Beatles’ animated feature film, Yellow Submarine, released in July 1968. After the first three months of ‘White Album’ sessions, Martin took a three-week holiday from the studio, entrusting the control room to his young assistant Chris Thomas and balance engineer Ken Scott. Scott had taken the place of engineer Geoff Emerick, who left the sessions in mid-July. On August 22, Ringo Starr also left the sessions, returning 11 days later to find his drum kit adorned with flowers from his bandmates. While the sessions’ four and a half months of long hours and many takes did spark occasional friction in the studio, the session recordings reveal the closeness, camaraderie, and collaborative strengths within the band, as well as with George Martin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe BEATLES (‘White Album’) was the first Beatles album to be released on the group’s own Apple Records label. Issued in both stereo and mono for the U.K. and in stereo for the U.S., the double album was an immediate bestseller, entering the British chart at number one and remaining there for eight of the 22 weeks it was listed. ‘The White Album’ also debuted at number one on the U.S. chart, holding the top spot for nine weeks of its initial 65-week chart run. In his glowing ‘White Album’ review for Rolling Stone, the magazine’s co-founder Jann Wenner declared: “It is the best album they have ever released, and only The Beatles are capable of making a better one.” In the U.S., ‘The White Album’ is 19-times platinum-certified by the RIAA and in 2000, it was inducted into the Recording Academy’s GRAMMY® Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eESHER DEMOS:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• The band had been in India with the Maharishi, some for 2 weeks and others for up to 2 months. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• While there they wrote an incredible number of songs and so they decided – for the only time in their career – to get together to demo these prior to going into the studio for the recording sessions. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• They went to George’s house in Esher and recorded them in one or two days on his new 4 track recorder. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Olivia still has the tapes and so Giles was able to re-visit the original tape to work on these demos. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• They recorded 27 songs and we have been allowed to release all of them here. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 19 of them ended up on the White Album with the rest either being recorded by the band or as solo later or in the case of Sour Milk Sea being given to another singer for his solo album on Apple Records (Jackie Lomax).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 7 have previously been released on Anthology, but they were mixed with the technology of the time and now Giles has been able to really clean them up and bring out the intimate nature of the recordings.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• One of the biggest things we learned through listening to the sessions, and which the fans can hear too via the inclusion of the studio chat and banter between takes, is that while this was certainly a time of change for the guys – growing up and maybe starting to grow apart too, it was NOT the miserable experience that has become history’s view of it. They were clearly having a blast playing as a band again and supporting each other with different ideas, working out how to approach parts, etc. They had FUN in the recording of this album, amongst the angst, and this shines through more than anyone has previously realized.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSESSIONS:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• The recording of Sgt Pepper the year before had been constructed by working on just a few takes and then adding layer-upon-layer for the final album version.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• They decided to go back to their roots in a way for the White Album by recording lots of takes and working out the song in the studio – by having a demo they knew where they wanted to start and could then play around with options in different takes. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Many of these takes would break down or be false starts, so we were never going to release all of them – but we never expected to be able to release 50 takes in our wildest dreams! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Most have never been heard before (even on bootlegs), but some of them had been completely forgotten about and were not documented by historians.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• One of the big discoveries is Julia (Take 10) which was discovered at the end of a tape that was marked up as blank. Our team actually listened to 20 minutes of silence when suddenly this incredible take appeared – it shows John trying to figure out how best to play his guitar and how to sing it. Amazing stuff.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• On listening to all the While My Guitar sessions, it became clear the received history is wrong. People have always thought that Eric was brought in by George towards the end to add his playing, but we now know that he came in for a whole day of sessions and is on all of the takes from that session – over 20 takes!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Helter Skelter – was recorded in two distinct versions. Originally there was a blues jam that was much slower and more measured – a small sample appeared on Anthology 3 – but they eventually gave up and returned to the song a couple of weeks later when it became arguably both the first heavy rock record AND the first punk record at the same time! There is a 23-minute version of the blues take which we could not include, but we have been able to use a 9-minute take as well as an alternate take of the later version.\u003c\/span\u003e","brand":"The Beatles","offers":[{"title":"Default Title","offer_id":15515194753094,"sku":"00602567571339","price":12.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/files\/White_Album_3CD_Deluxe_Edition.png?v=1774991527"},{"product_id":"the-beatles-white-album-super-deluxe-edition-box-set","title":"White Album Super Deluxe Edition Box Set","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe comprehensive, individually numbered 7-disc and digital audio collections feature:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCDs 1 \u0026amp; 2: 2018 stereo album mix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCD3: Esher Demos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCDs 4, 5 \u0026amp; 6: Sessions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 50 additional recordings, most previously unreleased, from ‘White Album’ studio sessions; all newly mixed from the four-track and eight-track session tapes, sequenced in order of their recording start dates. 107 tracks in total \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBlu-ray: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 2018 album mix in high resolution PCM stereo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 2018 DTS-HD Master Audio 5.1 album mix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 2018 Dolby True HD 5.1 album mix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 2018 direct transfer of the album’s original mono mix\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn. On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd.\/Capitol\/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe minimalist artwork for ‘The White Album’ was created by artist Richard Hamilton, one of Britain’s leading figures in the creation and rise of pop art. The top-loading gatefold sleeve’s stark white exterior had ‘The BEATLES’ embossed on the front and printed on the spine with the album’s catalogue number. Early copies of ‘The White Album’ were also individually numbered on the front, which has also been done for the new edition’s Super Deluxe package. The set’s six CDs and Blu-ray disc are housed in a slipsleeved 164-page hardbound book, with pull-out reproductions of the original album’s four glossy color portrait photographs of John, Paul, George, and Ringo, as well as the album’s large fold-out poster with a photo collage on one side and lyrics on the other. The beautiful book is illustrated with rare photographs, reproductions of handwritten and notated lyrics, previously unpublished photos of recording sheets and tape boxes, and reproduced original ‘White Album’ print ads. The book’s comprehensive written pieces include new introductions by Paul McCartney and Giles Martin, and in-depth chapters covering track-by-track details and session notes reflecting The Beatles’ year between the release of ‘Sgt. Pepper’ and recording sessions for ‘The White Album,’ the band’s July 28 1968 “Mad Day Out” photo shoot in locations around London, the album artwork, the lead-up and execution of the album’s blockbuster release, and its far-ranging influence, written by Beatles historian, author and radio producer Kevin Howlett; journalist and author John Harris; and Tate Britain’s Senior Curator of Modern and Contemporary Art Andrew Wilson. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMuch of the initial songwriting for ‘The White Album’ was done in Rishikesh, India between February and April 1968, when John Lennon, Paul McCartney, George Harrison, and Ringo Starr joined a course at the Maharishi’s Academy of Transcendental Meditation. In a postcard to Ringo, who had returned to England before the others, John wrote, “we’ve got about two L.P.s worth of songs now so get your drums out.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDuring the last week of May, The Beatles gathered at George’s house in Esher, Surrey, where they recorded acoustic demos for 27 songs. Known as the Esher Demos, all 27 recordings are included in the new edition’s Deluxe and Super Deluxe packages, sourced from the original four-track tapes. Twenty-one of the demoed songs were recorded during the subsequent studio sessions, and 19 were ultimately finished and included on ‘The White Album.’\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Beatles’ studio sessions for The BEATLES (‘White Album’) began on May 30, 1968 at Abbey Road Studios. In the 20 weeks that followed, The Beatles devoted most of their time to sessions there for the new album, with some recording also done at Trident Studios. The final session for the album took place at Abbey Road on October 16, a 24-hour marathon with producer George Martin to sequence the double album’s four sides and to complete edits and cross-fades between its songs. The Beatles’ approach to recording for ‘The White Album’ was quite different from what they had done for ‘Sgt. Pepper.’ Rather than layering individually overdubbed parts on a multi-track tape, many of the ‘White Album’ session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. The Beatles often recorded take after take for a song, as evidenced by the Super Deluxe set’s Take 102 for “Not Guilty,” a song that was not included on the album. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Beatles’ newly adopted method of recording all through the night was time consuming and exhausting for their producer, George Martin. Martin had other duties, including his management of AIR (Associated Independent Recording), and he had also composed the orchestral score for The Beatles’ animated feature film, Yellow Submarine, released in July 1968. After the first three months of ‘White Album’ sessions, Martin took a three-week holiday from the studio, entrusting the control room to his young assistant Chris Thomas and balance engineer Ken Scott. Scott had taken the place of engineer Geoff Emerick, who left the sessions in mid-July. On August 22, Ringo Starr also left the sessions, returning 11 days later to find his drum kit adorned with flowers from his bandmates. While the sessions’ four and a half months of long hours and many takes did spark occasional friction in the studio, the session recordings reveal the closeness, camaraderie, and collaborative strengths within the band, as well as with George Martin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe BEATLES (‘White Album’) was the first Beatles album to be released on the group’s own Apple Records label. Issued in both stereo and mono for the U.K. and in stereo for the U.S., the double album was an immediate bestseller, entering the British chart at number one and remaining there for eight of the 22 weeks it was listed. ‘The White Album’ also debuted at number one on the U.S. chart, holding the top spot for nine weeks of its initial 65-week chart run. In his glowing ‘White Album’ review for Rolling Stone, the magazine’s co-founder Jann Wenner declared: “It is the best album they have ever released, and only The Beatles are capable of making a better one.” In the U.S., ‘The White Album’ is 19-times platinum-certified by the RIAA and in 2000, it was inducted into the Recording Academy’s GRAMMY® Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eESHER DEMOS:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• The band had been in India with the Maharishi, some for 2 weeks and others for up to 2 months. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• While there they wrote an incredible number of songs and so they decided – for the only time in their career – to get together to demo these prior to going into the studio for the recording sessions. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• They went to George’s house in Esher and recorded them in one or two days on his new 4 track recorder. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Olivia still has the tapes and so Giles was able to re-visit the original tape to work on these demos. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• They recorded 27 songs and we have been allowed to release all of them here. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 19 of them ended up on the White Album with the rest either being recorded by the band or as solo later or in the case of Sour Milk Sea being given to another singer for his solo album on Apple Records (Jackie Lomax).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 7 have previously been released on Anthology, but they were mixed with the technology of the time and now Giles has been able to really clean them up and bring out the intimate nature of the recordings.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Look on this as The Beatles Unplugged!!!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• One of the biggest things we learned through listening to the sessions, and which the fans can hear too via the inclusion of the studio chat and banter between takes, is that while this was certainly a time of change for the guys – growing up and maybe starting to grow apart too, it was NOT the miserable experience that has become history’s view of it. They are clearly having a blast playing as a band again and supporting each other with different ideas, working out how to approach parts, etc. They had FUN in the recording of this album, amongst the angst, and this shines through more than anyone has previously realized.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSESSIONS:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• The recording of Sgt Pepper the year before had been constructed by working on just a few takes and then adding layer-upon-layer for the final album version.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• They decided to go back to their roots in a way for the White Album by recording lots of takes and working out the song in the studio – by having a demo they knew where they wanted to start and could then play around with options in different takes. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Many of these takes would break down or be false starts, so we were never going to release all of them – but we never expected to be able to release 50 takes in our wildest dreams! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Most have never been heard before even on bootlegs, but some of them had been completely forgotten about and were not documented by the historians.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• One of the big discoveries is Julia (Take 10) which was discovered at the end of a tape that was marked up as blank. Our team actually listened to 20 minutes of silence when suddenly this incredible take appeared – it shows John trying to figure out how best to play his guitar and how to sing it. Amazing stuff.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• On listening to all the While My Guitar sessions, it became clear the received history is wrong. People have always thought that Eric was brought in by George towards the end to add his playing, but we now know that he came in for a whole day of sessions and is on all of the takes from that session – over 20 takes!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Helter Skelter – was recorded in two distinct versions. Originally there was a blues jam that was much slower and more measured – a small sample appeared on Anthology 3 – but they eventually gave up and returned to the song a couple of weeks later when it became arguably both the first heavy rock record AND the first punk record at the same time! There is a 23 minute version of the blues take which we could not include, but we have been able to use a 9 minute take as well as an alternate take of the later version.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBlu-Ray:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• The BD features a brand new 5.1 surround mix by Giles Martin and Sam Okell and provides a totally immersive listening experience. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• It is also possible to listen to hi-res versions of the LP \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• The original mono mix is also included – for historical interest since some of the edits and mixes were quite different to the stereo mix, even though it had been recorded in stereo and conceived as a stereo album for the first time in their career.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBook:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe book has 164 pages and is made up of 3 themes:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• The bulk of the book is taken up with song and recording notes, all written in exemplary detail by Beatles expert Kevin Howlett. He explains all of the different takes and the actual writing and recording process for every track in the set.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• There is a new scholarly essay on the art of the White Album – explaining that it was actually an important moment in the development of modern pop art and it explodes several myths about what people think had been other cover ideas as well as exploring the way rock music and art were starting to grow together.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Guardian writer and social commentator, John Harris, has also written a fascinating chapter that looks at the reception of the album when it was released and how that has changed in perception and influence over the decades, concluding that this is in many ways perhaps their most influential album, especially in terms of how it has influenced generations of musicians since.\u003c\/span\u003e","brand":"The Beatles","offers":[{"title":"Default Title","offer_id":15515194785862,"sku":"00602567571957","price":12.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/files\/White_Album_Super_Deluxe_Edition_Box_Set.png?v=1775019398"},{"product_id":"the-beatles-white-album-2lp","title":"White Album 2LP","description":"\u003cspan\u003eTHE BEATLES (White Album) 2LP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 180-gram 2LP vinyl set featuring the new stereo album mix\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Packaging faithful to the original album \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn. On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd.\/Capitol\/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe minimalist artwork for ‘The White Album’ was created by artist Richard Hamilton, one of Britain’s leading figures in the creation and rise of pop art. The top-loading gatefold sleeve’s stark white exterior had ‘The BEATLES’ embossed on the front and printed on the spine with the album’s catalogue number. Early copies of ‘The White Album’ were also individually numbered on the front, which has also been done for the new edition’s Super Deluxe package. The set’s six CDs and Blu-ray disc are housed in a slipsleeved 164-page hardbound book, with pull-out reproductions of the original album’s four glossy color portrait photographs of John, Paul, George, and Ringo, as well as the album’s large fold-out poster with a photo collage on one side and lyrics on the other. The beautiful book is illustrated with rare photographs, reproductions of handwritten and notated lyrics, previously unpublished photos of recording sheets and tape boxes, and reproduced original ‘White Album’ print ads. The book’s comprehensive written pieces include new introductions by Paul McCartney and Giles Martin, and in-depth chapters covering track-by-track details and session notes reflecting The Beatles’ year between the release of ‘Sgt. Pepper’ and recording sessions for ‘The White Album,’ the band’s July 28 1968 “Mad Day Out” photo shoot in locations around London, the album artwork, the lead-up and execution of the album’s blockbuster release, and its far-ranging influence, written by Beatles historian, author and radio producer Kevin Howlett; journalist and author John Harris; and Tate Britain’s Senior Curator of Modern and Contemporary Art Andrew Wilson. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMuch of the initial songwriting for ‘The White Album’ was done in Rishikesh, India between February and April 1968, when John Lennon, Paul McCartney, George Harrison, and Ringo Starr joined a course at the Maharishi’s Academy of Transcendental Meditation. In a postcard to Ringo, who had returned to England before the others, John wrote, “we’ve got about two L.P.s worth of songs now so get your drums out.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDuring the last week of May, The Beatles gathered at George’s house in Esher, Surrey, where they recorded acoustic demos for 27 songs. Known as the Esher Demos, all 27 recordings are included in the new edition’s Deluxe and Super Deluxe packages, sourced from the original four-track tapes. Twenty-one of the demoed songs were recorded during the subsequent studio sessions, and 19 were ultimately finished and included on ‘The White Album.’\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Beatles’ studio sessions for The BEATLES (‘White Album’) began on May 30, 1968 at Abbey Road Studios. In the 20 weeks that followed, The Beatles devoted most of their time to sessions there for the new album, with some recording also done at Trident Studios. The final session for the album took place at Abbey Road on October 16, a 24-hour marathon with producer George Martin to sequence the double album’s four sides and to complete edits and cross-fades between its songs. The Beatles’ approach to recording for ‘The White Album’ was quite different from what they had done for ‘Sgt. Pepper.’ Rather than layering individually overdubbed parts on a multi-track tape, many of the ‘White Album’ session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. The Beatles often recorded take after take for a song, as evidenced by the Super Deluxe set’s Take 102 for “Not Guilty,” a song that was not included on the album. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Beatles’ newly adopted method of recording all through the night was time consuming and exhausting for their producer, George Martin. Martin had other duties, including his management of AIR (Associated Independent Recording), and he had also composed the orchestral score for The Beatles’ animated feature film, Yellow Submarine, released in July 1968. After the first three months of ‘White Album’ sessions, Martin took a three-week holiday from the studio, entrusting the control room to his young assistant Chris Thomas and balance engineer Ken Scott. Scott had taken the place of engineer Geoff Emerick, who left the sessions in mid-July. On August 22, Ringo Starr also left the sessions, returning 11 days later to find his drum kit adorned with flowers from his bandmates. While the sessions’ four and a half months of long hours and many takes did spark occasional friction in the studio, the session recordings reveal the closeness, camaraderie, and collaborative strengths within the band, as well as with George Martin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe BEATLES (‘White Album’) was the first Beatles album to be released on the group’s own Apple Records label. Issued in both stereo and mono for the U.K. and in stereo for the U.S., the double album was an immediate bestseller, entering the British chart at number one and remaining there for eight of the 22 weeks it was listed. ‘The White Album’ also debuted at number one on the U.S. chart, holding the top spot for nine weeks of its initial 65-week chart run. In his glowing ‘White Album’ review for Rolling Stone, the magazine’s co-founder Jann Wenner declared: “It is the best album they have ever released, and only The Beatles are capable of making a better one.” In the U.S., ‘The White Album’ is 19-times platinum-certified by the RIAA and in 2000, it was inducted into the Recording Academy’s GRAMMY® Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.”\u003c\/span\u003e","brand":"The Beatles","offers":[{"title":"Default Title","offer_id":15515195867206,"sku":"00602567696865","price":48.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/files\/White_Album_2LP.png?v=1766159762"},{"product_id":"guns-n-roses-appetite-for-destruction-super-deluxe-edition","title":"Appetite For Destruction Super Deluxe Edition","description":"\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1507\/3336\/files\/PA_small.png?v=1524858572\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e- INTERNATIONAL SHIPPING - The USA store can ship internationally but you may find a less expensive shipping option, VAT inclusive (where applicable), and shorter delivery times by shopping from our international territory partner stores, listed below:\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"http:\/\/ca.gnrmerch.com\/\" title=\"Canada\"\u003eCanada\u003c\/a\u003e \u003cbr\u003e\u003ca href=\"http:\/\/uk.gnrmerch.com\/\" title=\"UK\"\u003eUK \/ Europe\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/de.gnrmerch.com\/\" title=\"Germany\"\u003eGermany\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/store.universal-music.co.jp\/artist\/guns-n-roses\" title=\"Japan\"\u003eJapan\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/au.gnrmerch.com\/\" title=\"AU\"\u003eAustralia \/ SE Asia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eAppetite For Destruction: Super Deluxe Edition\u003c\/em\u003e features 4CDs including the album newly remastered for the first time ever; \u003cem\u003eB-sides N’ EPs\u003c\/em\u003e newly remastered; the previously unreleased \u003cem\u003e1986 Sound City Session N’ More\u003c\/em\u003e recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and wealth of memorabilia. In addition, the \u003cem\u003eSuper Deluxe Edition\u003c\/em\u003e contains collectables like never-before-seen band lithos, replica concert tickets, a wall poster, temporary band member tattoos , a Robert Williams painting litho, and a replica “Welcome To The Jungle” video shoot invite flyer originally drawn by Slash.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e96-page Hardcover Book with Unreleased Photos from Axl’s Personal Archive and a Bombardment of Memorabilia\u003c\/li\u003e\n\u003cli\u003eSimulated-Leather Wrapped Slipcase and Book Cover with Embossed GN’R Logos\u003c\/li\u003e\n\u003cli\u003e4 CDs:\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e73 Total Tracks – 49 Tracks Previously Unreleased\u003c\/li\u003e\n\u003cli\u003eFirst Ever Album Remaster from Original Analog Tapes\u003c\/li\u003e\n\u003cli\u003e12 Tracks from \u003cem\u003eB-SIDES N’ EPS\u003c\/em\u003e Newly Remastered from Original Analog Tapes\u003c\/li\u003e\n\u003cli\u003e25 Unreleased Recordings from \u003cem\u003e1986 SOUND CITY SESSION\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 Unreleased Recordings from Mike Clink Sessions:\n\u003cul\u003e\n\u003cli\u003e“Shadow Of Your Love” – from December 1986 Mike Clink tryout session\u003c\/li\u003e\n\u003cli\u003e“Move To The City (1988 Acoustic Version)” – from \u003cem\u003eGN’R LIES \u003c\/em\u003esessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e1 Blu-ray Audio Disc:\n\u003cul\u003e\n\u003cli\u003eNew 96kHz 24-bit 5.1 Surround Sound Mixes from Original Analog Multi-tracks\u003c\/li\u003e\n\u003cli\u003eOriginal Album Mixed by Elliot Scheiner\u003c\/li\u003e\n\u003cli\u003e5 Bonus Tracks Mixed by Elliot Scheiner \u0026amp; Frank Filipetti\u003c\/li\u003e\n\u003cli\u003eAll songs feature brand new animations\u003c\/li\u003e\n\u003cli\u003e4 Original Music Videos in 5.1\u003c\/li\u003e\n\u003cli\u003eUnreleased 1989 “It’s So Easy” Video in 5.1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e5 Previously Unseen Band Member Lithos\u003c\/li\u003e\n\u003cli\u003e“Welcome To The Jungle” Video Invite Flyer – Originally Drawn by Slash\u003c\/li\u003e\n\u003cli\u003eRobert Williams Painting Litho 12”x24”\u003c\/li\u003e\n\u003cli\u003eTemporary Band Member Tattoos\u003c\/li\u003e\n\u003cli\u003e3 Replica Ticket Stubs\u003c\/li\u003e\n\u003cli\u003e1 Wall Poster 24”x36”\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCD 1 – APPETITE FOR DESTRUCTION: REMASTERED\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWelcome To The Jungle\u003c\/li\u003e\n\u003cli\u003eIt's So Easy\u003c\/li\u003e\n\u003cli\u003eNightrain\u003c\/li\u003e\n\u003cli\u003eOut Ta Get Me\u003c\/li\u003e\n\u003cli\u003eMr. Brownstone\u003c\/li\u003e\n\u003cli\u003eParadise City\u003c\/li\u003e\n\u003cli\u003eMy Michelle\u003c\/li\u003e\n\u003cli\u003eThink About You\u003c\/li\u003e\n\u003cli\u003eSweet Child O' Mine\u003c\/li\u003e\n\u003cli\u003eYou're Crazy\u003c\/li\u003e\n\u003cli\u003eAnything Goes\u003c\/li\u003e\n\u003cli\u003eRocket Queen\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eProduced by Mike Clink\u003c\/p\u003e\n\u003cp\u003eMixed by Steve Thompson and Michael Barbiero\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD2 – B-SIDES N’ EPS: REMASTERED\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eReckless Life\u003c\/li\u003e\n\u003cli\u003eNice Boys\u003c\/li\u003e\n\u003cli\u003eMove To The City (Live)\u003c\/li\u003e\n\u003cli\u003eMama Kin\u003c\/li\u003e\n\u003cli\u003eShadow Of Your Love (Live)\u003c\/li\u003e\n\u003cli\u003eYou’re Crazy (Acoustic Version)\u003c\/li\u003e\n\u003cli\u003ePatience\u003c\/li\u003e\n\u003cli\u003eUsed To Love Her\u003c\/li\u003e\n\u003cli\u003eYou’re Crazy\u003c\/li\u003e\n\u003cli\u003eIt’s So Easy (Live)\u003c\/li\u003e\n\u003cli\u003eKnockin’ On Heaven’s Door (Live)\u003c\/li\u003e\n\u003cli\u003eWhole Lotta Rosie (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eCD 3 – 1986 SOUND CITY SESSION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll Previously Unreleased\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWelcome To The Jungle (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eNightrain (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eOut Ta Get Me (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eParadise City (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eMy Michelle (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eThink About You (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eYou’re Crazy (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eAnything Goes (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eRocket Queen (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eShadow Of Your Love (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eHeartbreak Hotel (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eJumpin’ Jack Flash (1986 Sound City Session)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eCD 4 – 1986 SOUND CITY SESSION N’ MORE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll Previously Unreleased\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShadow Of Your Love\u003c\/li\u003e\n\u003cli\u003eMove To The City (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eAin’t Goin’ Down No More (Instrumental Version – 1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eThe Plague (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eNice Boys (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eBack Off Bitch (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eReckless Life (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eMama Kin (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eNew Work Tune (1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eNovember Rain (Piano Version – 1986 Sound City Session))\u003c\/li\u003e\n\u003cli\u003eMove To The City (Acoustic Version – 1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eYou’re Crazy (Acoustic Version – 1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eNovember Rain (Acoustic Version – 1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eJumpin’ Jack Flash (Acoustic Version – 1986 Sound City Session)\u003c\/li\u003e\n\u003cli\u003eMove To The City (1988 Acoustic Version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eDISC 5 – BLU-RAY AUDIO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e96kHz 24-bit 5.1 Surround Sound \u0026amp; Remastered Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.1 Surround Sound mixed by *Elliot Scheiner and **Frank Filipetti\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll Previously Unreleased\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAPPETITE FOR DESTRUCTION*\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWelcome To The Jungle\u003c\/li\u003e\n\u003cli\u003eIt's So Easy\u003c\/li\u003e\n\u003cli\u003eNightrain\u003c\/li\u003e\n\u003cli\u003eOut Ta Get Me\u003c\/li\u003e\n\u003cli\u003eMr. Brownstone\u003c\/li\u003e\n\u003cli\u003eParadise City\u003c\/li\u003e\n\u003cli\u003eMy Michelle\u003c\/li\u003e\n\u003cli\u003eThink About You\u003c\/li\u003e\n\u003cli\u003eSweet Child O' Mine\u003c\/li\u003e\n\u003cli\u003eYou're Crazy\u003c\/li\u003e\n\u003cli\u003eAnything Goes\u003c\/li\u003e\n\u003cli\u003eRocket Queen\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eProduced by Mike Clink\u003c\/p\u003e\n\u003cp\u003eStereo mixed by Steve Thompson and Michael Barbiero\u003c\/p\u003e\n\u003cp\u003eBONUS TRACKS\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShadow Of Your Love**\u003c\/li\u003e\n\u003cli\u003ePatience*\u003c\/li\u003e\n\u003cli\u003eUsed To Love Her**\u003c\/li\u003e\n\u003cli\u003eYou’re Crazy**\u003c\/li\u003e\n\u003cli\u003eMove To The City (1988 Acoustic Version)**\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eMUSIC VIDEOS*\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWelcome To The Jungle\u003c\/li\u003e\n\u003cli\u003eSweet Child O’Mine\u003c\/li\u003e\n\u003cli\u003eParadise City\u003c\/li\u003e\n\u003cli\u003ePatience\u003c\/li\u003e\n\u003cli\u003eIt’s So Easy – \u003cstrong\u003e\u003cem\u003eBRAND NEW VIDEO FROM 1989\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Guns N' Roses","offers":[{"title":"Default Title","offer_id":15642877395014,"sku":"0602567523758","price":13.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/products\/SDX_Updated7.2.18.jpg?v=1539806844"},{"product_id":"guns-n-roses-appetite-for-destruction-2lp-180-gram-audiophile-vinyl-edition","title":"Appetite For Destruction (180g Audiophile) 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href=\"https:\/\/store.universal-music.co.jp\/artist\/guns-n-roses\"\u003eJapan\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"AU\" href=\"http:\/\/au.gnrmerch.com\/\"\u003eAustralia \/ SE Asia\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eAppetite For Destruction: Deluxe Edition\u003c\/em\u003e features 2CDs of highlights from the box and \u003cem\u003eSuper Deluxe Edition\u003c\/em\u003e with the album newly remastered for the first time ever, selections of B-sides and EP tracks, and 7 unreleased recordings from the 1986 Sound City Session, “Move To The City (1988 Acoustic Version)” from the \u003cem\u003eGN’R Lies\u003c\/em\u003e session and “Shadow Of Your Love” from the November 1986 first ever recording session with the album’s producer Mike Clink.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLimited Edition Foil Art Slipcase\u003c\/li\u003e\n\u003cli\u003eCD 1: First Ever Album Remaster from Original Analog 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title=\"Japan\"\u003eJapan\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/au.gnrmerch.com\/\" title=\"AU\"\u003eAustralia \/ SE Asia\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst Ever Album Remaster from Original Analog Tapes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAPPETITE FOR DESTRUCTION: REMASTERED\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWelcome To The Jungle\u003c\/li\u003e\n\u003cli\u003eIt's So Easy\u003c\/li\u003e\n\u003cli\u003eNightrain\u003c\/li\u003e\n\u003cli\u003eOut Ta Get Me\u003c\/li\u003e\n\u003cli\u003eMr. Brownstone\u003c\/li\u003e\n\u003cli\u003eParadise City\u003c\/li\u003e\n\u003cli\u003eMy Michelle\u003c\/li\u003e\n\u003cli\u003eThink About You\u003c\/li\u003e\n\u003cli\u003eSweet Child O' Mine\u003c\/li\u003e\n\u003cli\u003eYou're Crazy\u003c\/li\u003e\n\u003cli\u003eAnything Goes\u003c\/li\u003e\n\u003cli\u003eRocket 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The progress of the songs on the album is followed through their inception to final recording, producing an extraordinary visual demonstration of a great talent using the recording process to bring his vision to a reality; and providing glimpses into the creative genius of John Lennon, and the striking special moments between John and Yoko. \u003cbr\u003e \u003cbr\u003eWith exclusive, never-before-seen bonus content providing further glimpses into the creative process and the evolution of three key album tracks in their ‘raw’ studio mixes, plus an insight into John and Yoko’s photoshoot with David Bailey.\u003cbr\u003e \u003cbr\u003eBoth films have been hand restored frame-by-frame from the original film reels into HD, and their soundtracks have been remixed in 5.1 surround sound, and remastered. 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Featuring his iconic hits “Dragula,” “Living Dead Girl” and “Superbeast,” \u003cem\u003eHelbilly Deluxe\u003c\/em\u003e cemented Rob Zombie as a hugely successful solo artist with over 3 million album sales and his first Top 5 album chart position in the Billboard 200.","brand":"Rob Zombie","offers":[{"title":"Default Title","offer_id":16620452315206,"sku":"00602557670721","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/files\/Hellbilly_Deluxe_LP.png?v=1774529336"},{"product_id":"rob-zombie-spookshow-international-live-2lp","title":"Spookshow International Live 2LP","description":"\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" international=\"\" live=\"\" is=\"\" rob=\"\" zombie=\"\" second=\"\" album=\"\" and=\"\" features=\"\" new=\"\" performances=\"\" of=\"\" tracks=\"\" recorded=\"\" on=\"\" his=\"\" tour=\"\" featuring=\"\" city=\"\" radio=\"\" kiss=\"\" frankenstein=\"\" this=\"\" the=\"\" ultimate=\"\" collection=\"\" data-sheets-userformat=\"{\"\u003e\u003cem\u003eSpookshow International Live\u003c\/em\u003e is Rob Zombie’s second live album and features new live performances of 19 tracks recorded on his 2014 tour. Featuring “Dead City Radio,” “Dragula,” “Thunder Kiss ’65” and “Jesus Frankenstein,” this album is the ultimate Rob Zombie live collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rob Zombie","offers":[{"title":"Default Title","offer_id":16620452347974,"sku":"00602557679557","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/products\/SPOOKSHOW_d64decc8-41e5-4620-bcdd-d74e6be97c4c.jpg?v=1571692782"},{"product_id":"wings-wings-at-the-speed-of-sound-lp","title":"Wings At The Speed Of Sound 1LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited 180gm vinyl LP repressing. \u003cem\u003eWings At The Speed Of Sound\u003c\/em\u003e is the fifth studio album by Wings, released on 25 March 1976 as a follow-up to their previous album Venus and Mars. Issued at the height of the band's popularity, it reached the top spot on the US album chart and peaked at #2 on the UK album chart. Both singles from the album also reached the top 5 of the UK and US singles charts, with 'Silly Love Songs' reaching #1 in the US. The album was recorded and released in the midst of Wings' highly successful Wings Over the World tour, with songs from the album performed on the tour after it's release. As a reaction to critics who believed Wings was merely a vehicle for Paul McCartney, the album featured every member of the band taking lead vocals on at least one song, and two songs from the album are written or co-written by band members other than the McCartneys.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eExcluded from sitewide sales\/discounts.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wings","offers":[{"title":"Default Title","offer_id":16620453265478,"sku":"00602557567618","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/files\/Wings_At_The_Speed_Of_Sound_1LP.png?v=1774989269"},{"product_id":"rob-zombie-the-electric-warlock-acid-witch-satanic-orgy-celebration-dispenser-lp","title":"The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser LP","description":"\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cstyle type=\"text\/css\" xml=\"space\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" humbly=\"\" described=\"\" his=\"\" latest=\"\" studio=\"\" effort=\"\" as=\"\" our=\"\" heaviest=\"\" most=\"\" fucked=\"\" up=\"\" musical=\"\" monster=\"\" to=\"\" date=\"\" loudwire=\"\" the=\"\" album=\"\" tinged=\"\" metal=\"\" delivered=\"\" with=\"\" trademark=\"\" blend=\"\" of=\"\" samples=\"\" shock=\"\" horror=\"\" and=\"\" humor=\"\" rob=\"\" challenged=\"\" radio=\"\" kick=\"\" off=\"\" single=\"\" everybody=\"\" fucking=\"\" in=\"\" a=\"\" u=\"\" f=\"\" o=\"\" knocks=\"\" your=\"\" senses=\"\" into=\"\" submission=\"\" on=\"\" songs=\"\" like=\"\" age=\"\" consecrated=\"\" vampire=\"\" we=\"\" all=\"\" get=\"\" high=\"\" sixth=\"\" solo=\"\" career=\"\" electric=\"\" warlock=\"\" landed=\"\" zombie=\"\" consecutive=\"\" top=\"\" charting=\"\" billboard=\"\" for=\"\" those=\"\" keeping=\"\" count=\"\" that=\"\" six=\"\" albums=\"\" upper=\"\" echelon=\"\" data-sheets-userformat=\"{\"\u003eZombie humbly described his latest studio effort as “seriously our heaviest, most fucked up musical monster to date.” Loudwire described the album as “industrial tinged metal delivered with his trademark blend of samples, shock, horror and humor.” Rob challenged radio with his kick off single “Well, Everybody’s Fucking In A U.F.O.” and knocks your senses into submission on songs like “The Age of the Consecrated Vampire We All Get High”. The sixth album in his solo career, \u003cem\u003eElectric Warlock\u003c\/em\u003e… landed Zombie his sixth consecutive Top 10 charting studio album in the Billboard 200, for those keeping count that’s six for six Top 10 studio albums in the upper echelon of the Billboard 200.\u003c\/span\u003e\u003c\/p\u003e","brand":"Rob Zombie","offers":[{"title":"Default Title","offer_id":16620457689158,"sku":"00602547417992","price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0061\/6484\/0518\/products\/ELECTRIC_WARLOCK.jpg?v=1571692800"},{"product_id":"poison-look-what-the-cat-dragged-in-picture-disc","title":"Look What The Cat Dragged In (Limited Edition Picture Disc) 1LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited-edition picture disc! Enigma Records took a chance on glam metal giants Poison - a their leap of faith that paid remarkable dividends. Recorded in just 12 days, the band's 1986 debut, \u003cem\u003eLook What The Cat Dragged In\u003c\/em\u003e, cost just $23,000 (some of which the band funded themselves), but it peaked at a sensational No. 3 on the Billboard 200, eventually selling 4 million copies worldwide. Easily Enigma's best-selling record at the time, it also spawned three US chart hits, \"Talk Dirty To Me,\" \"I Want Action\" and \"I Won't Forget You,\" while the album's anthemic, radio-friendly contents (which frequently drew comparisons to Kiss and Aerosmith) had an immediate, across-the-board appeal. 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Its commercial performance was aided by two hit singles - \"Jet\" and \"Band on the Run\" - such that it became the top-selling studio album of 1974 in the United Kingdom and Australia; in addition to revitalizing McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. The majority of \u003cmeta charset=\"utf-8\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBand On the Run\u003c\/em\u003e was recorded at EMI's studio in Lagos, Nigeria, as McCartney wanted to make an album in an exotic locale. 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